Here’s a quick sketch done on the map of a pre-printed coffee cup: Shows the journey of the coffee beans from origin to consumption.
Small text reads (from top): Consumption, Minneapolis, MN; Processing, Texas; Production, Costa Rica.
This t-shirt tells its own back story: the t-shirt tags are cut from the inside and stitched into the screenprint graphic of an imagined life of the product. The shirt was put into production in 2006 by Droog Design.
This is a more illustrative, conceptual version of a background story – less data based. The graphic is customized based on available information at the time (this includes where the cotton comes from, and where the t-shirt is sold). More quantitative figures on distance and carbon footprint could be input with the right data available.
CNN has launched a new application to show how a story has developed over time. This is basically a collection of all CNN-posted stories associated with a particular event. The example they give is the Anthrax case. http://behindthescenes.blogs.cnn.com/
This allows readers to easily dig into the recent history of a story. The impact of a news service that offered such a view into history -AND incorporated stories from other key news media (CNN, BBC, and New York Times for example)- could be extremely powerful piece of online media to showcase varying perspectives. It will be interesting to see if partnerships emerge in this area – also incorporate other online media (video in addition to text-based stories).
If an apple a day keeps the doctor away, this card is worth an entire year doctor-free.
The graphic on this greeting card describes the life-cycle of an apple seed/tree/fruit. The scale of each element is irrelevant because segment of illustration concentrates on the most important component of that part of the cycle; giving the viewer the appropriate zoomed-in or zoomed-out view.
The key words are a bit redundant (especially “Blossom”). Without these words the viewer would still understand that the story is about the cyclic growth of the apple. However, if the subject in question were more complex or unusual than the common apple, keywords would become essential.
Take it one step further: imagine how the graphic could get even better connected if the paper its printed on was made from apple tree pulp…then embed an apple seed inside so the disposal of the card grows another tree. The graphic could then expand to include the tree trunk’s second life as this card.
Card by Pancake & Franks.
Companies are increasingly able to track the life of their products through their supply chains and trace the origins of even the smallest notion.
Patagonia’s Footprint Chronicles outlines the potential for a company to unveil its transparency in the name of promoting sustainability (and hence, appearing as a sustainable company). From an information standpoint, Patagonia is open about “The Good” and “The Bad” – admitting that, like any human, they’re not yet perfect, but they know where they need to improve.
The online tool carries the viewer through design, materials, manufacture, distribution (among others) of a handful of the company’s products, allowing the user to explore info both sequentially or geographically. Based on google-esque maps, the tool is well-designed as both a piece of information design and as an interactive tool.
Though included are a handful of data and other numbers, I’d like to see these numbers presented in a more visual way – nice parallels are drawn to perceivable concepts to make abstract quantities real. For example: where they say the CO2 generated from a specific shirt is equal to 100x the weight of the shirt, it would be nice to have a more standard reference: such as how many miles average driving…or how many trees need to be planted to counteract this release of CO2. This reference could in-turn, be illustrated in a more graphic format that would enable more direct comparison between various products.
This accordion-fold brochure from a vineyard pulls the viewer through the story a bottle of wine from planting to enjoying – in 3 parallel formats: written storyline, photographs and a background illustration which ties the piece together. As a viewer, I’m right there walking with the grapes as they pass from farm to glass. Definitely more of a marketing piece than data-driven information design, but the brochure makes creative use of folding and visual design elements to evoke an emotional response.
Lately, I’ve seen a few paper grocery bags that have a small graphic of the life cycle printed on the bottom. It’s not very descriptive, but it’s nice to see this small reminder about the larger impact of this simple, everyday item. It would even better to see more detailed information on distance traveled, where the wood chips come from, actual recycled content, etc.